Ayan falls in love with his soulmate, Alizeh, but she doesn’t reciprocate the feeling. Later, a relationship with Saba helps him realize Alizeh’s value in his life, irrespective of their relationship status.
Inconsistent tonality, uneven pacing, and far too many self-referential winks dilute this tale of unrequited love before it even has a chance to fully develop.
What’s odd is that the movie itself turns out not to be some incendiary provocation, but squarely Bollywood trad, a globetrotting weepie unlikely to offend anyone but the most entrenched.
Everything leads to a third-act twist that is absurdly shameless, even by Bollywood standards. Unfortunately, Johar doesn’t appear to have intended it as another joke.