Ryan Schifrin's first film is a pleasant surprise, an old-fashioned monster movie that relies more on genuine suspense than bare breasts and blood.
40
Variety
Unnamed
Abominable goes completely over the top into an Ed Wood-meets-"Rear Window" subspecies of giddy, gory amateurish abandon.
30
L.A. Weekly
Scott Foundas
Not quite aptly titled, but close, writer-director Ryan Schifrin's cheapo horror opus pits everyone's favorite hirsute hominoid against the denizens of a remote town nestled at the base of a mountain called Suicide Peak. It's not much of a contest.
Schifrin wisely holds off showing the monster -- because once the creature is revealed, the already shaky film takes a turn for the worse. The costume for the monster looks like a cross between a drugstore Halloween mask and leftover molds from the horror chestnut "Leprechaun."
Ever wondered what the bastard stepchild of "Rear Window" and "Harry and the Hendersons" would look like? Probably not. Nevertheless, here it is in the form of a Bigfoot horror flick gone horribly awry.