Storyline
Earl Pilcher Jr., runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining he's not her natural son, but the son of a Black woman who died in childbirth; plus, he has a half brother Ray, in Chicago, she wants him to visit. Earl makes the trip, initially receiving a cold welcome from Ray and Ray's son, Virgil. His birth mother's sister, Aunt T., an aged and blind matriarch, takes Earl in tow and insists that the family open up to him.
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Writers
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Trailer
Reviews
100
The film's premise is totally implausible yet great performances, directing and script allow us to transcend the concept of believability and enjoy nevertheless.
90
In one sense, this seemingly melodramatic plot premise is contrived, registering more as myth than as real possibility. Yet thanks to what the movie has in mind and especially what the actors bring to it, it's a lovely myth, one that has the ring of deeply felt truth.
80
The New York Times
In A Family Thing, an earnest upbeat fable about the meaning of brotherhood in America, first-rate film acting infuses a contrived story with enough flesh, blood, wrinkles, warts and beads of sweat to make it intermittently surge to life.
80
Although the movie loses power in its final sections, the performances, writing and Richard Pearce's direction transform this shaky idea into something rewarding.
75
The situations are more or less standard (fights over sleeping arrangements, emergencies that have to be solved, moments of truth and confession), but the dialogue and the acting bring the material up to another level.
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