In the late 1800s, a fanatical religious leader, a renegade Sheriff, and a former prostitute collide in a blood triangle on the rugged plains of the New Mexico Territory.
As violent act begets silly exchange begets another violent act, Sweetwater squanders its noteworthy resources — a cast enjoying themselves (especially Isaacs and Harris), and some effectively brooding outdoor cinematography.
The Old West is portrayed as a venal loony bin in Sweetwater, a handsomely designed, occasionally funny but ultimately empty female vengeance yarn.
50
The Dissolve
William Goss
Rare is the Western that’s too low-rent to be satisfyingly lurid, but with hardly any tension or personality to its name, Sweetwater just misses the mark.
40
Arizona Republic
Barbara VanDenburgh
The characters aren’t the only things painted in broad strokes. Sweetwater is rife with gauche symbolism and imagery.