Misery (1990)

Reiner captures just the right level of physical tension, but for the most part wisely emphasises the mental duels. Terrific.

The actors are supported by the best kind of writerly craft and directorial technique, the kind that refuses to call attention to itself, never gets caught straining for scares or laughs. Popular moviemaking -- elegantly economical, artlessly artful -- doesn't get much better than this.

The movie has a real kick to it. As Paul and Annie attempt to outsmart each other, Misery gets nastier and nastier. It turns into a psychotic cat-and-mouse game, and there are some genuine shocks.

Reiner’s film, the perfect 90-minuter, is sometimes a little stretched at 107 minutes. Nevertheless it maintains its tension well, plays enough tricks on us so that we don’t ever treat anything quite seriously and Goldman’s script has enough good lines and situations to keep one interested in exactly what is coming next.

There are a few holes in the plot, mainly towards the end, but from start to harrowing finish, it is blissfully apparent that Rob Reiner can indeed turn his hand to virtually anything.