Nair likes to have fun even when her material is somber, and for this movie she deploys a rich palette and a multi-culti but mostly kitsch-free score that fuses old and new with a lovely Sufi devotional piece, and is peppered with Pakistani pop.
70
Village Voice
Jonathan Kiefer
At times it's dense and sluggish, too much like a novel. But there is some exhilaration to be had.
The result inevitably pushes too hard at times and can't help but stray into melodrama, yet the film does an admirable job of transplanting the novel's thoughtful concerns into a fast-moving suspense context.
Ticking-time-bomb suspense is not Nair’s forte, so she relies on Michael Andrews’s Middle East–inflected score to do most of the heavy lifting in the present-day scenes, which feel shapeless and perfunctory.