Indifferent to the notion of inheriting his father's estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity, irreverence, and recreational cruelty towards those around them.
There's genuine pain at the core of Heidecker's character - or at least a numbness where the pain used to reside - but the film is keen on obscuring it.
It's a meaty film, filled with ideas unobscured by any generic narrative string, a move that shows not only the confidence of the director but his respect of the audience. This is one that'll have people talking.
88
Slant Magazine
Joseph Jon Lanthier
Tim Heidecker's Swanson does not amuse us in spite of the pity he inspires but because of it.
70
Variety
Justin Chang
For a catalog of aggressively stupid, socially deviant male behavior, Rick Alverson's cheekily titled The Comedy is not without a certain subversive intelligence.
Picture "Raging Bull" with a sleazy prep from the Brooklyn hipsteropolis of Williamsburg, and you'll get the idea of The Comedy, a character study that tries to make the revolting compelling.