A young woman with a mysterious past lands in Southport, North Carolina where her bond with a widower forces her to confront the dark secret that haunts her.
Reading a Sparks novel allows one's imagination to enter the equation. Watching one of his stories adapted on screen has exactly the opposite effect: it neuters the imagination. This is soap opera, pure and simple.
I like Duhamel, and in her first straight-up dramatic role Hough does well enough, though her singing and/dancing career thus far has trained her to oversell, as opposed to sell, as opposed to act naturally.
Hallestrom and his screenwriters may be stuck with Sparks’ formula, but they take advantage of the geography, the leads and a couple of homespun supporting players – Robin Mullens is a wonderfully folksy owner of the seaside seafood shack.
A thriller element that has not been present in earlier Sparks movies is designed to draw reluctant male viewers to see the picture, but they won’t respond with the same enthusiasm as his core audience of woozy romantics.