Storyline
Skillfully framed by an unknown enemy for the murder of a priest, wanted vigilante MacManus brothers Murphy and Connor must come out of hiding on a sheep farm in Ireland to fight for justice in Boston.
Directors
Cast
Matthew G. Taylor, Pedro Salvín, Joris Jarsky, Aaron Berg, Clifton Collins Jr., Willem Dafoe, Billy Connolly, Brendan Wall, Julie Benz, Norman Reedus, Daniel DeSanto, Paul Johansson, Sean Patrick Flanery, Richard Fitzpatrick, Marco Bianco, Peter Fonda, Dwayne McLean, Tony Munch, Stefano DiMatteo, Joe Parro, A. Frank Ruffo, Paul Rapovski, Brendan Carmody, Bob Rubin, David Della Rocco, David Ferry, Brian Mahoney, Bob Marley, Judd Nelson, Gerard Parkes, Robert Mauriell, Robb Wells, Tom Barnett, Mairtin O'Carrigan, Sweeney MacArthur, Zachary Bennett, Erika Bruun-Andersen, Matthew Chaffee, Carlo Berardinucci, Joseph Di Mambro, Philip Bucceri, Paul De La Rosa, Paulino Nunes, Santino Buda, Jeremy Wright, Darryl Flatman, Darryl Pring, Rolando Alvarez Giacoman, Brad Davis, Ermes Blarasin, Flint Eagle, Brian Frank, Steve 'Shack' Shackleton, Shamus Fynes, Louis Di Bianco, Louis Di Bianco, George Nickolas K., Howard Hoover, Joey Amorosino, Mark Stables, Jerry Azzopardi, Scott Savitz, Paul Joyce, John Herman, Kara Apostolica, Kimberly Tuscano
Trailer
Reviews
50
The result isn’t art but it is an improvement: a scurrilous, lowdown, sub-Tarantino action comedy that, unlike the original, doesn’t make you want to claw your eyes out. How’s that for praise?
50
Like its predecessor, All Saints Day will, if nothing else, be a cult item for Roman Catholic schoolboys; the next sequel, blatantly set up, should arrive no later than 2019.
40
The only truly ugly side to this self-consciously grimy movie is the streak of Neanderthal humor. Operatic overacting is funny. Racist and homophobic jokes? Not so much.
38
You wouldn't call The Boondock Saints II: All Saints Day a taut thriller. More like a fleshy, messy, jangled frenzy of shootouts and much discussion about the mechanics of romantic entanglements that bloom between prison inmates.
30
Village Voice
John Woo outgrew stylizing movies like this in the '90s, but Duffy is still chasing his perfect slide-and-shoot, except now with more self-satisfied posturing, awkward pop-culture referencing, casual homophobia and racism, and the most vulgar co-opting of religious iconography this side of Dan Brown.
