Set in a world with memory implants, Alan Hakman is a 'cutter'—someone with the power of final edit over people's recorded histories—but his latest assignment puts him in great danger.
Naim directs The Final Cut as if it were the pilot to a TV series: He teases the audience with all sorts of story threads, focuses on a minor self-contained mystery, and leaves the rest for future episodes that will never come.
60
Dallas Observer
Gregory Weinkauf
A satisfyingly eerie thriller.
50
Entertainment Weekly
Unnamed
Quiet and sleepy.
40
Variety
Unnamed
Striking visuals help, but pic won't make the final cut with either genre fans, who've seen it all and better before, or the arthouse crowd, who will sneer at pic's cliches.
40
L.A. Weekly
Ella Taylor
The movie becomes so cluttered with concept and design, it fails to get even a toehold on the humanistic subtext it's clearly reaching for. A pallid performance by Mira Sorvino, as Williams' girlfriend and advocate for the fully lived and recorded life, doesn't help.