A television reporter and her cameraman are trapped inside a building quarantined by the CDC after the outbreak of a mysterious virus which turns humans into bloodthirsty killers.
Quarantine director John Erick Dowdle and co-writing brother Drew wisely stick close to the told-from-the-cameraman's point-of-view template of the terrific original, though they add a few fine flourishes.
Claustrophobic, jittery at times, and electric in pace, Quarantine is a stripped-down bloody thrill ride that -- while certainly not catering to everyone's tastes -- should satisfy gore-hounds looking to step up their theatrical horror cuisine beyond the usual creepy little kid rehashes.
63
The Globe and Mail (Toronto)
Liam Lacey
Give Quarantine credit: Without resorting to computer-generated monsters or supernatural explanations, it uses consistent logic and confinement to find new ways of being scary.
The template is familiar, but Quarantine delivers the heebie-jeebies with solid acting and perfectly calibrated shocks.
58
The A.V. Club
Nathan Rabin
Dowdle manages a few nice shocks and some neat moments of pitch-black gallows humor, but Quarantine nevertheless feels awfully familiar, and it grows less convincing with each passing moment. At its worst, it abandons realism entirely and flirts with gory kitsch.