A married couple on the verge of separation are leveled by the news their 18-year-old son committed a mass shooting at his college, then took his own life.
Like its fellow crowd-depressor "Blue Valentine," Beautiful Boy offers the antithesis of escapism: a claustrophobic, punishingly intense, beautifully measured exploration of the depths of human despair.
Too bleak and wrenching to recommend unconditionally. You need a strong constitution to watch it soberly, but it is a gripping experience that left me weak in the knees.
Despite routinely overstating the scenario with rampant scenes of tantrums and sobs, the majority of Beautiful Boy is made bearable by its two solid performances.
Directing from the nonjudgmental script he wrote with Michael Armbruster, Ku's assured, unadorned documentary style allows his leads ample breathing room to inhabit their devastated characters.