Unable to cope with a recent personal tragedy, LA's top celebrity shrink turns into a pothead with no concern for his appearance and a creeping sense of his inability to help his patients.
Grief and suicide seem unlikely subjects for a comedy. But Shrink tries gamely to mine edgy humor from the darkest places. Sometimes it works. Other times, its Hollywood-centric focus feels like a re-heated cinemash of "The Wackness," "Crash" and "The Player."
60
Variety
Unnamed
The film may be too inside-baseball, with strained sympathy and contrived emotions.
You do wish Pate and writer Thomas Moffett had gone for more wit given the outlandishness of the melodrama since it would be more fun to laugh at this than take it seriously.