Director Peter Bonerz and writer Stephen J. Curwick (the latter taking his second Academy shift) both cut their teeth on TV sitcoms, and it shows. Rarely has a film cried out so desperately for a laughtrack.

There are some witty moments, as when the straight man, Proctor, played as usual by Lance Kinsey, uses a squeaky rubber squeegie to wash a window while his partner, Harris (G. W. Bailey), holds a stethoscope to the window to eavesdrop on a conversation taking place on the other side. But most of what takes place in Police Academy 6, from the flying billiard balls to the exploding cigars, are things you have seen someplace before. [3 March 1989, p.1-17]

Except there are all these dumb pranks even a third-grade schoolboy would be too embarrassed to commit - putting glue on chairs, making silly faces and stupid noises, setting off fireworks at the precinct house. [13 March 1989, p.5D]

This is probably worse than you’d expect, even from a sequel to a sequel to a sequel to a sequel to a sequel.

On the plus side, POLICE ACADEMY 6 is skillfully photographed by Charles Rosher, Jr., and has a very good soundtrack, supplied by Robert Folk. Unfortunately, high production values are wasted on films this slow-paced and silly.