The Good Nurse (2022)

This superbly acted thriller – Jessica Chastain and Eddie Redmayne both shine – is every bit as textured and knotty as [Lindholm's] previous work.

A true-crime picture whose chilling effects are generated without a whiff of the manipulation that often comes with such films.

What lingers most about it is a sense of selfless compassion, the kind that Amy possesses when she painfully reminds herself of the good buried within inexplicable evil. Watching her try to summon that good makes for a quietly devastating finale, one that’s thoroughly earned by the soulful film that precedes it.

If The Good Nurse is about anything, it’s about dedication and stoic compassion, rather than a headstrong sense of morality, and the film, like its protagonist, is all the better for that.

It’s a nifty fit for the Danish filmmaker behind similarly cold-blooded dramas like “A War” and “A Highjacking,” who establishes a sense of unease from the film’s opening moments and never quite relents.