Travis Block is a shadowy Government agent who specializes in removing operatives whose covers have been exposed. He then has to uncover a deadly conspiracy within his own ranks that reaches the highest echelons of power.
Blacklight is an unsurprisingly tepid action thriller which extends this odd phase of Neeson’s career, but the best thing that can probably be said about it is that it’s not materially worse than most of the others.
If you approach it with sufficiently lowered expectations, and have fond memories of the ’70s paranoid dramas that obviously inspired director and co-writer Mark Williams, this might be your house-brand jam.
Lacking a high concept or memorable central character, the film is a by-the-numbers actioner that coasts on its star’s soulful gravitas and low-key charisma.
Neeson always gives fair value in these woebegone, quick-and-dirty actioners. But closing in on 70, the fakery meant to show him brawling or driving too fast and what not isn’t that subtle.