While the film attempts to thread a tricky needle between absolute drama and wacky comedy — dramedy! — Harris’ script is actually at its best when leaning more into the story’s tougher stuff.

It’s nice to see McCarthy and O’Dowd in roles that showcase their emotional range; one just wishes it were in a project worthy of their talents.

The smooth professionalism of so many outstanding participants can’t help but elevate a very ordinary film a little bit higher. Despite the best efforts of both McCarthy and O’Dowd, though, there’s never a moment where it truly takes flight.

The actors lend sincerity to the proceedings, but the film keeps cheating to achieve its dramatic payoffs.

Suffice it to say that The Starling’s emotional arcs are as narratively complete as they are psychologically dashed-off.