A man on the verge of a promotion takes a mysterious hallucinogenic drug that begins to tear down his reality and expose his life for what it really is.
Carl W. Lucas‘s script is never quite as smart or profound as it thinks it is, but it does manage to tap into an inherent sweetness – an underlying sense of humanity and acceptance that counter-balances all the chaos and occasional bursts of violence.
This fever dream feels more derivative than distinctive, entertaining and eventful as it is. Still, it’s a well-cast, well-crafted stab at something offbeat.
While Long gives it his trademark amiable best and Klabin and longtime collaborator Patrick Lawler cook up a heady cocktail of lively though budget-conscious visual effects, at the end of the day the Carl W. Lucas script feels more like a concept pitch than a fully-plotted proposition.