The Platform (2019)

It’s a movie designed for people who like their future-fiction thoughtful and relevant, and for people who enjoy the runaway-train feeling of having no idea where a given story could possibly go next.

Formidable from a technical standpoint, The Platform thrives on effectively grotesque production design and ghastly special effects that shock and disgust with purpose.

Extraordinarily gross, metaphorically blunt, but also perversely and wildly entertaining, the new Spanish splatter satire The Platform is the perfect movie to watch while the world seemingly teeters on the edge of existence.

There’s a brutal efficiency to the storytelling, swiftly, heartlessly propelling us up and down the building, forcing us to bear witness to a great many horrors.

Gaztelu-Urrutia’s camerawork is inventive enough – his pacing tidy enough, his tone clever enough, his performances engaging enough – that we never get tired of seeing the same four walls and few faces throughout The Platform’s running time. For being so deeply dark, the film is surprisingly funny and thoughtful, and it’s got a wonderful, sly energy to it.