It’s certainly not great literature, but if you can get past the imbecilic script, there’s no question that Bay has seized the opportunity to make 6 Underground as visually stunning as such a project can withstand.
The film is a pure expression of the id for a filmmaker who thrives on moving at 100 cuts per second; for everyone else, as the expression goes, your mileage may vary.
This is a blast of Bayhem so pure and unfiltered that when a detached human eyeball gets used as a “funny” prop during the first action sequence, it feels like Michael Bay declaring his intentions: This movie is going to blow your f—ing eyeballs out.