A week after seeing The Wandering Earth, I'm still marveling at how good it is. I can't think of another recent computer-graphics-driven blockbuster that left me feeling this giddy because of its creators' can-do spirit and consummate attention to detail.

The Wandering Earth is as much a love letter to disaster films as it is a worthy entry in the genre itself. That, combined with some truly eye-popping visuals, makes it a film that should be seen on the biggest screen possible.

No matter how familiar the plot beats feel, that level of attention not just to functional special effects, but to outright beauty, makes The Wandering Earth memorable.

Director Frant Gwo’s adaptation of the 2000 novella by Liu Cixin is no genre classic, but its furious pace, spectacular visuals, and fanciful plot deliver decent escapist entertainment.

Despite the production’s team of scientist consultants, the physics in The Wandering Earth is probably a lot of hooey. But the film’s world building, which takes up much of its first third, is undeniably novel and fascinating. Rarely does a film brag such a technocratic heart.