Storyline
In a series of escalating encounters, security guard David Dunn uses his supernatural abilities to track Kevin Wendell Crumb, a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price emerges as an orchestrator who holds secrets critical to both men.
Directors
Writers
Cast
James McAvoy, Spencer Treat Clark, Samuel L. Jackson, Bruce Willis, M. Night Shyamalan, Brian Anthony Wilson, Raul Torres, Jennifer Butler, Luke Kirby, Sarah Paulson, Brick Mason, Rosemary Howard, Adam David Thompson, Tobias Segal, Charlayne Woodard, Leslie Stefanson, Johnny Hiram Jamison, Bostin Christopher, Ukee Washington, Marc H. Glick, Vincent Riviezzo, Kimberly S. Fairbanks, Jon Douglas Rainey, Russell Posner, Jane Park Smith, Anya Taylor-Joy, Brian Donahue, Aurora Karine, Ursula Triplett, Marisa Brown, Diana Silvers, Shannon Destiny Ryan, Nina Wisner, Kyli Zion, Serge Didenko, Lory Molino, Rob Yang, Shayna Ryan, Jessica Heller, Sarah Grgic, Andrew Hunsicker, Matt Jacobs, Bryan McElroy, Owen Vitullo, William Turner, Colin Becker, Joseph Thuet, Tatiana St. Phard, Tom DiNardo, Timothy Chivalette, Jack McCafferty, Darby Schlosser, Jordan Coker, Xaiver Gerald, Tim Duquette, Nathan Nauroth, Ana Leonard
Trailer
Reviews
60
Shyamalan concludes his secret trilogy with a film easier to admire than love. McAvoy is terrific again, but Glass doesn’t quite live up to the lofty heights of Unbreakable and Split.
60
As a trilogy-closer, it's a mixed bag, tying earlier narrative strands together pleasingly while working too hard (and failing) to convince viewers Shyamalan has something uniquely brainy to offer in the overpopulated arena of comics-inspired stories.
58
Ultimately, Glass is a killer concept that suffers from a wobbly execution. Shyamalan nails the intimate stuff, but that third act is just bound to shatter and confound audience expectation.
50
It’s good to see Shyamalan back (to a degree) in form, to the extent that he’s recovered his basic mojo as a yarn spinner. But Glass occupies us without haunting us; it’s more busy than it is stirring or exciting.
50
Despite the pyrotechnics of McAvoy’s performances and Willis’s grounded conviction, there’s just not enough here past the high concept of “what if real people were superheroes?”.
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