As a young New York couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes.
Fogelman clearly gets a thrill in constructing a tapestry full of one random tragedy after another (seriously, almost nothing good seems to happen to these people long term). And he also appears to love manipulating the audience’s emotions with these subsequent tragedies.
There’s too much going on. Maybe if Fogelman had a season of television to delve into these characters’ connections and inject the vigor of Will’s chaotic mind into the quieter passages that follow, Life Itself could be great.
Dan Fogelman’s Life Itself packs in enough narrative twists and turns to leave viewers with a sense of emotional whiplash. One tragedy bleeds into another so often that the events begin to blur.
Though Life Itself is neither good nor “so bad it’s good,” it’s also such a bizarre, inexplicable film that it’s almost worth seeking out just to experience it for yourself. For those who want to watch a worthwhile family melodrama, however, just stick with This Is Us.