Disclosure is a frankly adult picture. The seduction scene is protracted and genuinely sexy -- though what this woman sees in Douglas is a mystery. The talk in Disclosure is also frank -- and unusually explicit. People talk about sex in this picture as they would in life.

Dramatically, Disclosure isn't especially potent, but it isn't drama that Crichton and Levinson are striving for. On its own terms -- the fear of lost security that many thrillers prey upon -- Disclosure works, and that's all that anyone can reasionably ask from this kind of motion picture.

On the level of pure craft, Disclosure is first-rate in every department. Levinson's directing is cogent and colorful, and cinematography by camera wizard Tony Pierce-Roberts is dazzling. [9 Dec 1994]

The spirit of the film, though, is snazzier and more playful than Crichton’s rather thin, humorless schematic. The subject is serious; thankfully, the movie is not.

Disclosure is a classic guilty pleasure. You won't be proud of yourself in the morning for having watched it, but you won't be able to take your eyes off it while you do. [9 Dec 1994, p.53]