A famous opera singer is held hostage in South America by a guerrilla rebel group after performing at a Japanese businessman's lavish birthday party. Unexpected bonds are forged in the standoff that ensues.
Director Paul Weitz is mostly known for lighter, more observational stories like "About a Boy" and "Mozart in the Jungle," and the strongest moments in Bel Canto are the small ones.
The film benefits from the fine cast and from many sharp and poignant moments. It's an impressive achievement technically as well.
50
Wall Street Journal
John Anderson
The most serious flaw, and one that will irk a lot of Bel Canto enthusiasts, is the too-obvious lip-syncing of Ms. Moore to Ms. Fleming’s glorious singing. They simply don’t match up, and the music takes place at points in the film when viewers really don’t want to be thrown off. But thrown off they will be.