Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian.
Whether we follow Han Solo through hyperspace for more adventures is up to Disney, but what we got here is enough to keep us coming back again and again...That’s the best kind of Star Wars movie.
Solo is a swashbuckling success, a space adventure that pays homage to the DNA of the original films while carving out its own unique space in the canon. It’s a sheer delight, but it also has the courage to explore the darker aspects of a character who could have all too easily been polished to an inoffensive, family-friendly Disney sheen.
Solo: A Star Wars Story is a crackingly enjoyable adventure which frankly deserves full episode status in the great franchise, not just one of these intermittent place-holding iterations
Alden Ehrenreich resembles a young, somewhat graver Robert Wagner, though he’s a better actor than the young Robert Wagner was. Ehrenreich’s contained, methodical brand of swagger matches up pretty well with the Han Solo we know from the ’77-’83 Harrison Ford edition.