Dramatization of the Starkweather-Fugate killing spree of the 1950s, in which a teenage girl and her twenty-something boyfriend slaughtered her entire family and several others in the Dakota badlands.
Refracted through Holly’s naive, emotionally flat narration and Malick’s poetic visual style, this familiar tale is transformed into something strange and oddly beautiful. [29 Aug. 2008]
The movie makes no attempt to psychoanalyze its Kit Carruthers, and there are no symbols to note or lessons to learn. What comes through more than anything is the enormous loneliness of the lives these two characters lived, together and apart.
Achingly evocative of a time when Hollywood had the courage to invest in complex and morally ambiguous films and an indisputable masterpiece of American cinema. [26 May 2003]