Baskin (2015)

[Evrenol’s] success lies in the entertainment value this death-ravaged orgy supplies and it has plenty to go around.

Baskin does what many horror films try and fail to do: it makes you feel like you're a passive prisoner/spectator, watching as an especially vivid nightmare unfolds.

Anyone deep enough into the genre to watch a movie like Baskin may find it, for all its bizarre and beautiful surrealistic imagery, oddly uninspiring.

The film mostly functions as a tour of familiar horror tropes for much of its running time.

As feverish and dark as this first feature by filmmaker Can Evrenol gets, there is a sense that something larger is at stake — an elusive explanation having to do with a recurring dream, twisted destiny and the bond of a promise.