A superb entertainment, it also has something to say.

A clever thriller with a lot of unbelievable scenes and a sappy ending, but two wonderful performances.

Thanks to a terrific performance by Freeman and slick direction by Jerry Schatzberg, this is a fast-moving, intermittently riveting crime drama.

Director Jerry Schatzberg has made a penetrating study of human relations--racial and sexual--within a sharply observed social framework.

The plot line may fray at times, especially with Fisher's dizzyingly quick segue from magazine reporter to Geraldo Rivera-like television muckraker. But Schatzberg anchors his story with enough pungently observed details of New York--its lofts, chic editorial offices, in restaurants and sad and tawdry street scenes--and with enough marvelous actors, in big roles and small, to give his story real bite.