Storyline
A police raid in Detroit in 1967 results in one of the largest citizens' uprisings in the history of the United States.
Directors
Cast
Jason Mitchell, Samira Wiley, Kaitlyn Dever, Jennifer Ehle, Anthony Mackie, Jeremy Strong, John Krasinski, Laz Alonso, Gbenga Akinnagbe, Ato Blankson-Wood, Leon G. Thomas III, Glenn Fitzgerald, Will Poulter, Darren Goldstein, Chris Coy, Hannah Murray, John Boyega, Jack Reynor, Will Bouvier, Tyler James Williams, Chris Chalk, Jacob Latimore, Algee Smith, Timothy John Smith, Ben O'Toole, Dennis Staroselsky, Henry Frost III, Austin Hébert, Joseph David-Jones, Ephraim Sykes, Nathan Davis Jr., Peyton 'Alex' Smith, Malcolm David Kelley, Miguel Pimentel, Kristopher Davis, Mason Alban, Bennett Deady, Tokunbo Joshua Olumide, Benz Veal, Zurin Villanueva, Ricardo Pitts-Wiley, Joey Lawyer, Morgan Rae, David A. Flannery, Kris Sidberry, Lizan Mitchell, JJ Batteast
Trailer
Reviews
100
Bigelow, working from a script by her regular collaborator Mark Boal (it’s their first film since “Zero Dark Thirty”), has created a turbulent, live-wire panorama of race in America that feels like it’s all unfolding in the moment, and that’s its power. We’re not watching tidy, well-meaning lessons — we’re watching people driven, by an impossible situation, to act out who they really are.
100
Arriving in theaters almost exactly 50 years since the Detroit riots of late July 1967, Kathryn Bigelow’s Detroit is a searing, pulse-pounding, shocking and deeply effective dramatic interpretation of events in and around the Algiers Motel.
98
Detroit has a vital sense of authenticity, rooted as it is in history, conveyed via Bigelow’s meticulously crafted cinema vérité style that, essentially, thrusts the viewer into the tense events. She is an expert at managing suspense and deftly blending sensitivity with a journalistic sense of details.
91
A sincere effort to illuminate a singularly dark chapter in history — and a stark reminder of exactly what gets lost when human beings fail to take care of their own.
90
This movie will spark debate, even with an end title card that reminds audiences of the concept of dramatic license. But as a movie, and not a court document, it is extraordinary.
