When a dysfunctional group of unpublished writers accept Hannah into their fold, the last thing they expect is her overnight success. Can these lovable misfits achieve their artistic dreams and avoid killing one another in the process?
It takes the easiest approach to every scene, haphazardly juggling different tones without integrating them into a cohesive and consistent thematic identity.
Farina’s talent is thrown away here; Cuoco is funnier on her sitcom; Klein and Polo you just kind of feel bad for. Hence, the only reason to watch this picture is for the novelty value of feeling bad for Chris Klein and/or Teri Polo.
You can always tell when filmmakers get their ideas from watching other movies. First-time writer David Congalton must be a Christopher Guest fan, because his derivative mockumentary feels like the work of someone who’s seen “Waiting for Guffman” and “Best in Show” too many times.