Storyline
Desperate to pay the bills and come through for their loved ones, three lifelong pals risk it all by embarking on a daring bid to knock off the very bank that absconded with their money.
Directors
Writers
Cast
Paul Thornton, Josh Pais, Michael Caine, Siobhan Fallon Hogan, Morgan Freeman, Joey King, Anthony Chisholm, Alan Arkin, Peter Serafinowicz, John Ortiz, Matt Dillon, Robert Myers, Barbara Ann Davison, Kenan Thompson, Maria Dizzia, Frank Anello, Christopher Lloyd, Ann-Margret, Thelma O'Leary, Seth Barrish, Michelle Santiago, Leslie C. Nemet, Kenneth Maharaj, Jeremy Bobb, Tommy Bayiokos, Melanie Nicholls-King, Lolita Foster, Katrina E. Perkins, Tod Rainey, James Zeiss, Doris McCarthy, Olli Haaskivi, Frisco Cosme, Marc Chouen, Guy Sparks, Eddie Sellner, Nancy Ellen Shore, Neil Fleischer, Aaron Ayhan, José Báez, Richard R. Corapi, Marshall Axt, Richie Moriarty, Jorge Chapa, Ashley Aufderheide, Gillian Glasco, Jeremy Shinder, Nick Cordero, Jojo Gonzalez, Precious Sipin, Meredith Antoian, Annabelle Chow, Nancy Sun, Jessica Perez, Marlon Perrier, Lulu Picart, Tony Arrigo, Kieran Clark, Nick Austin, Matt Ballard, James Brickhouse, Chris Carfizzi, Katlyn Carlson, Nancy Castro, Gina Diaz, Bella DiDomenico, Joe Remy Dolinsky, Ratnesh Dubey, Laren England, A.J. Franklin, Peter Munson Hogan, David E. Jenkins Jr., Jeanmarie Lally, Lyssa Mandel, Dillon Mathews, Longmore Mikhala, Jen Ponton, Denise Scilabra, Mark St. Cyr, Janet Stanwood, Arthur Swain, Linden Tailor, Aly Tricarico, Richard Zavaglia, Lisa Zebrowski
Trailer
Reviews
75
It’s an agreeably generic mishmash of every old-guys-pull-one-last-heist movie you’ve ever seen.
67
The geezer humor is just as funny here as it was in the original version of this film, which starred George Burns, Art Carney, and Lee Strasberg. I mean this as a compliment, although it’s, admittedly, a bit backhanded.
63
The 1979 film was both more casual and much darker about the realities and infirmities of old age, and it had one of George Burns’s better performances. It was a funny, touching experience, and it was a bitter pill. The new movie is a placebo, with Hallmark emotions put over by a cast of solid-gold professionals.
63
Going in Style stays in the safe zone every second, nervous about risking any audience discomfort, as opposed to Brest's quietly nervy ode to old age and its discontents. Times change.
63
It’s the chemistry among these three fine actors that keeps Going in Style afloat, lifting it from the formulaic and forgettable — which, essentially, it is — and making it genuinely, if modestly, enjoyable.
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