Set during the last days of the Ottoman Empire, a love triangle develops between Mikael, a brilliant medical student, the beautiful and sophisticated artist Ana, and Chris, a renowned American journalist based in Paris.
There’s something rather dusty about The Promise as George pushes his characters through a string of soapy machinations that feel incredibly familiar.
58
The Film Stage
Jordan Ruimy
If George set his sights on capturing the effects of this tragic stain in history rather than love-making, we might have gotten a drama worthy of the talent involved.
The event-stuffed screenplay seems frightened of the running time associated with historical romances, though, excising any occasion for reflection or distraction; as a result, the picture moves with a mechanical predictability that would be considerably more annoying with a less watchable cast in front of us.
The Promise, despite its battles, its vivid recreation of the last days of Constantinople (renamed Istanbul), its historical sweep,despite a very good cast, never feels “epic” and rarely do its romantically drawn characters draw us into their romance and their tragedy.