Laurie Strode struggles to come to terms with her brother Micheal's deadly return to Haddonfield, Illinois; meanwhile, Michael prepares for another reunion with his sister.
At times Halloween II dances on the line between alarming and disgusting, and it doesn’t all hold together — I couldn’t figure out what the goblin banquet was doing in this movie. But if it was meant to freak me out, it worked.
Halloween II provides ample spotlights for Zombie’s visual gifts, but—apart from some striking Oedipal fantasy sequences featuring Sheri Moon Zombie as the spirit of Myers’ mother—we saw most of this last time around, and a lot of promising material leads to dead ends.
What Halloween II does have, though, is Zombie’s claustrophobic visual style; he half-drowns his actors in shadow, then tracks them through windows and around corners like a focused predator. If only we cared about the prey.