A mother and her 10-year old daughter are trapped in a forest. There is something in this forest. Something unlike anything they have heard before. Something that lurks in the darkness and it’s coming after them.
It’s what we don’t see, at least not in full, that makes the film scare so effectively. Bertino holds his monster in reserve, conceding its presence through brief and mostly obscured glimpses of its shape.
Not least of the surprises here is that even when The Monster is trying to scare you witless, its every scene insistently reaffirms its characters’ humanity.
In the end, The Monster does more by way of thrilling tension and heartfelt admissions than it does through any scares, but that doesn’t make it a bad horror film. Bryan Bertino reveals a gushy soft side, only to tear out his heart and hoist it for all to see.