This isn’t a terrible film, by any means. It’s a completely forgettable film, which is arguably worse—especially for Lautner, who at this point is on the verge of vanishing down the memory hole with it.

Lautner’s earnest turn, as well as those of familiar TV faces Johnson (“Bates Motel,” “The Shield”) and Zimmer (“Entourage,” “UnReal”), are hamstrung by writing that demands a certain emotional urgency while providing the performers little opportunity for surprise or nuance.

Rajiv Shah’s screenplay fails to flesh out its characters and situations in compelling fashion, leaving the actors struggling to bring depth to the sketchy scenario and Mehta’s uninspired direction.

It’s more scenic than dramatic. Sadly, the same could be said about Lautner, who never seems to deliver even as his window for “stardom” closes.

In his first feature outing, director Soham Mehta overplays the significance of virtually every aspect of Rajiv Shah’s script, no matter how minor, with painfully slow pans and needlessly lingering establishing shots.