Cold and cut to the bone, the film is a primer in screen virtuosity. Standard action film clichés, like a face getting hit with a chair, get turned inside out; both film and actors somehow manage to seem realistic and stylized at the same time. [21 Sept 1990, Life, p.6D]

A masterpiece, but of a unique kind... A gorgeously filmed, supremely well-acted, intricately written film noir about now.

If, however, you're looking for compelling characters, all the lights are blazing here but nobody's at home.

Crossing should be watched not because it's their finest achievement (that's still to come), but because the brothers are keeping things refreshingly different and building a career, their minds still very much fixed on originality.

The Coens are artists too, and their cool dazzler is an elegy to a day when Hollywood could locate moral gravity in a genre film for grownups. [24 Sept 1990, p.83]