Tom’s birthday dinner party is turned upside down by the unexpected arrival of Alice, an old flame who changed her identity and vanished without a trace 15 years prior.
Refreshingly, there is no clichéd love story or illicit thriller that emerges; Marston is pursuing ideas that are far more personal and philosophical, about the masquerade of identity and what it means to that identity when you make a significant change in your life.
Something’s missing in Complete Unknown, and it’s a spiritual issue. The problem is that for this situation, the unlikely reunion, a natural approach restricts any and all sensationalism, which is why the ending neither bruises nor squeezes — it just lingers.
Marston and Sheppard have come up with a terrific premise, and have worked it into an often highly entertaining movie. But after a while, all the narrative ellipses and question marks start to feel like an affectation — beguiling on the surface, but un-genuine.