With Transpecos, Kwedar doesn’t offer any easy answers. Instead he points out the problems, how entrenched and intertwined they are, and asks other questions: How far will you go to survive? And will it be enough in the end?

Unlike the highly charged “Sicario” and other recent drug trade-themed movies, the film, shot in New Mexico, eschews explosive confrontations and political judgments in favor of complex, thoughtfully portrayed characters and tense, compelling situations.

All three leads bring the goods, but it is Luna, carrying much of the emotional weight of the film, who shines the brightest, showing a depth and countenance well beyond his years.

Violence in Transpecos is sparse, but the filmmakers use it with a narrative precision that highlights the unforgiving consequences that accompanies every choice in this desolate borderland.

The song playing sombrely over the tail credits is Afraid of Everyone, which is a hell of a way to die, but an even worse way to live. There is no cheer to Transpecos.