Following (1998)

The usual elements of scheming and deception are well represented here, but they are made all the knottier by shifting time frames.

Christopher Nolan's noirish thriller is an uncommonly polished and assured feature debut, highly clever textually and supremely accomplished technically. This ultra low-budget exercise marks the emergence of a significant directorial talent. [13 April 1999]

That the movie succeeds as thoroughly as it does -- getting deeper and creepier as it goes along -- is evidence of a far-seeing creative imagination. Nolan is a compelling new talent.

Following is a pitch-black crime story, but never forgets its gentler side. It is, at 70 minutes, a slim movie, but by the time it concludes in inevitable tragedy, Nolan's characters have accomplished something rare for an openly nihilistic work: sympathy. [10 Sep 1999, p.10G]

As a psychological mystery it plays persuasively if not profoundly. Nolan relishes the sheer nastiness he keeps stirred up, unabated for 70 minutes. You can, too, provided you don't ask more of it.