Beatrice Prior and Tobias Eaton venture into the world outside of the fence and are taken into protective custody by a mysterious agency known as the Bureau of Genetic Welfare.
“Allegiant” ends up feeling like a mid-season climax to serialized TV drama. The pieces are in play, the wheels in motion. Stay tuned, loyal viewers, and you’ll get your answers next year.
Although “Allegiant” does recapture the original film’s sense of constantly discovering and adapting to fresh information, audiences no longer identify with anyone in particular.
It all leads to a climax so staggeringly lazy and glib that you honestly expect Woodley just to turn to the camera in the final scene, shrug her shoulders and walk off.