Although the film has big structural problems and leaves a lot of loose ends, there was never a moment when it didn’t absorb me, because I felt as if I was watching the characters talk to one another, instead of to me.

And though School Daze isn't as successful as the more modestly scaled "She's Gotta Have It," in the end, it may be even more rewarding and promising. The movie's seemingly twisted view of higher education suggests a straight eye, a cool mind, a steady heart--and a great aim.

School Daze is, if nothing else, a compelling time capsule of racial politics in the late ‘80s, ethnographically sealed-off in a hothouse micro-environment (an all-black college campus) that’s as constrictive as Lee’s varying plot threads and stylistic whims are profuse.

Neither this anger nor Mr. Lee's daring is ever given free rein. Instead of a sharp satire or even an "Animal House" variation (since fraternity life is central to its story), School Daze is a collection of musical numbers, dramatic episodes, attempts at parody and cinematic wild cards, bound together only loosely by Mr. Lee's prevailing sense of outrage.

Despite a few high-spirited sequences, School Daze succumbs to preachiness and choppiness. It's a movie with too much to say and not enough style to say it with. [12 Feb 1988, p.0]