A minor chiller and major downer from the talented Alexandre Aja.
50
Chicago Reader
Andrea Gronvall
Director Alexandre Aja (Haute Tension, The Hills Have Eyes) keeps the suspense tight for most of the movie, only to fritter it away in an overblown ending.
This remake of a South Korean movie ultimately provides fewer scares than the average aging baby boomer feels every time they look into a reflective surface.