Matilda (1996)

A delightfully twisted fairy tale that artfully juggles broad tomfoolery and sly drollery, along with a generous serving of sight gags enhanced by special effects. Even though it's being pitched primarily at younger moviegoers and their parents, pic is exuberantly quirky enough to please almost anyone.

Matilda is fresh and spirited, and while the edge on it keeps the film interesting, DeVito manages to tilt it expertly from darkness to light. [02 Aug 1996, p.E4]

The contrast of light and dark, good and evil, enlightenment and ignorance, innocence and corruption is the heart of this absurd, insightful, sincere, very funny fairy tale of a movie. The cast is uniformly superb.

Matilda doesn't condescend to children, it doesn’t sentimentalize, and as a result it feels heartfelt and sincere. It's funny, too.

Hardly a moment of Matilda can be described as either juvenile or condescending, and, compared with many of this summer's so-called mature features, that makes for a delightfully refreshing change-of-pace.