Storyline
A newly developed microchip designed by Zorin Industries for the British Government that can survive the electromagnetic radiation caused by a nuclear explosion has landed in the hands of the KGB. James Bond must find out how and why. His suspicions soon lead him to big industry leader Max Zorin.
Directors
Cast
Christopher Walken, Anthony Chinn, Grace Jones, Patrick Bauchau, Manning Redwood, Tony Sibbald, Desmond Llewelyn, Dolph Lundgren, Ron Tarr, Papillon Soo, Roger Moore, Bogdan Kominowski, Lois Maxwell, Willoughby Gray, Walter Gotell, Geoffrey Keen, David Yip, Alison Doody, Tanya Roberts, Patrick Macnee, Fiona Fullerton, Robert Brown, Jean Rougerie, Daniel Benzali, Mary Stavin, Dominique Risbourg, Carole Ashby, Lucien Jérôme, Joe Flood, Gerard Bühr, Bill Ackridge, Taylor McAuley, Peter Ensor, Seva Novgorodtsev, Sian Adey-Jones, Caroline Hallett, Nike Clark, Paula Thomas, Gloria Douse, Lou-Anne Ronchi, Elke Ritschel, Mayako Torigai
Trailer
Reviews
70
IGN
I was at least able to follow the plot (which is not to say it wasn't as ludicrous as any Bond film -- just that I could follow it). But most of all this movie has camp value -- it's fun to sit there and make fun of every last detail, and that redeems it quite a bit.
67
Beyond Walken and Jones’ considerable contributions, A View to a Kill also contains a robust assortment of action sequences.
63
Even though Moore sleepwalks his way through the part, making it apparent that he should have departed two films ago, and Tanya Roberts can't act to save her life (although she certainly can scream), we're back to a more conventional, straightforward Bond than the convoluted mess of the previous movie.
60
Christopher Walken sleepwalks his way through playing smarmy Nazi geneticist Zorin, where you would think he would have a ball hamming it up as a Bond villain. Indeed, it is a rare moment when Grace Jones makes the biggest impression as an Amazonian (naturally) henchman called May Day.
50
This jokey tone couldn’t be more different from the relative self-seriousness of helmer John Glen’s first 007 directing effort, For Your Eyes Only, and frankly, I yearn for more of that class.
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