It spins the narrative of one of the Victorian art world's most mysterious marriages into a study of life lived and life merely examined, a fecund fairy tale in reverse.
Richard Laxton’s painterly film combines the gothic shadows of Hitchcock’s Rebecca with the gut-wrenching romance of A Royal Affair. The result is dark and offbeat, but as a murky anti-romance, Gray is undeniably effective.
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The Telegraph
Tim Robey
There are clever and sensitive touches right through, and a moving ending. But Fanning seems wholly uncomfortable, and not always intentionally.
It’s a little hammy and soapy, with an occasional Pythonesque sense of its own importance but this film, directed by Richard Laxton, is performed with gusto.