X-Men: Days of Future Past (2014)

If the characters’ quandaries at times feel overly circumscribed, they’re also advanced with a bracing emotional directness, devoid of either cynicism or sentimentalism, that touches genuine chords of feeling over the course of the film’s fleet 130-minute running time.

While it's more dramatically diffuse than the reboot and lacks a definitive villain, the new film is shot through with a stirring reverence for the Marvel Comics characters and their universe.

It feels like the single most successful attempt to pull the shape of one of the beloved comic stories into the film world. It also feels like Bryan Singer has finally figured out how to shoot an action scene where the X-Men actually look and feel like the X-Men, and where the fantastic is handled the right way.

With so much going on, and such a ferocious pace, several parts of the story feel undernourished... But what we do get here is largely fantastic.

Singer has refreshed the series with blasts of his original entries’ X-factors: vim, levity, clarity and a sincere, soulful grip on the emotional stakes involved.