A riotous and gleefully delirious assault on the senses. It is vulgar. It is absurd. And it is completely enthralling.

The explosions might not be as big on the streaming screen, but they’re as bonkers as ever.

It’s certainly not great literature, but if you can get past the imbecilic script, there’s no question that Bay has seized the opportunity to make 6 Underground as visually stunning as such a project can withstand.

The film is a pure expression of the id for a filmmaker who thrives on moving at 100 cuts per second; for everyone else, as the expression goes, your mileage may vary.

This is a blast of Bayhem so pure and unfiltered that when a detached human eyeball gets used as a “funny” prop during the first action sequence, it feels like Michael Bay declaring his intentions: This movie is going to blow your f—ing eyeballs out.