It is impressive, though, the way the movie works to incorporate new online phenomenons, from Bitcoin to swatting. The latter bit, especially, resonates as one of the film’s most unsettling elements, if only because it feels so depressingly possible. Truly, it’s surprising just how soul-crushing Dark Web becomes after luring us in with so many intriguing mysteries, but, hey, this is the internet we’re talking about.

The film is preposterously conceived, but writer-director Stephen Susco so tightly, excitingly executes it that you hardly notice.

The script lacks bite, save some wry meta-commentary on the movie’s existence (including a passing reference to “horror transmedia”). Nevertheless, Susco follows the well-worn path of using the horror/thriller genre to explore the eerie ambiguities of modern times.

This horror film lacks the freshness of its predecessor, but its bleak view on humanity and technology, as well as some truly unsettling ideas and visuals, still set it apart from most of its fellow studio genre fare.

"Dark Web” skates by on saturated nastiness, one terrific kill, and the audience’s engagement in seeing if the filmmakers can pull off the stunt. Barely, but it’s fun to watch them try.