Donohoe as the vampire seductress projects a beguiling sexuality that should suck the resistance out of all but the most cold-blooded critics. She is also hilarious, a virtue shared by everyone and everything in The Lair of the White Worm.

Cheap effects and gratuitous displays of nudity only heighten the film’s delirious demeanor.

Given a distinctly playful treatment by Russell, who crams some kind of phallic imagery into almost every frame, THE LAIR OF THE WHITE WORM is solid, campy fun--much more entertaining than any of the director's "serious" films. Russell (who also scripted) enjoys himself with all kinds of fetishistic images, from a naked Amanda Donohoe slithering around in green body paint, to a white bra- and panties-clad Catherine Oxenberg suspened over a pit as a sacrificial offering to the great white worm-snake--whose flickering tongue is, no doubt, firmly in his cheek.

Ken Russell's phallic farce starring Hugh Grant and Peter Capaldi is drearily sexist, accidentally absurd and undeniably a stinker. But its defiant disrespect for plot and taste win me over.

Not a worm is left unturned in Ken Russell's buoyant, mischievous and predictably overwrought new film.